Wednesday, November 2, 2016

An Uncomfortable Truth

Instead of seeking aggressive racial-equality initiatives, Democrats too often have opted for a sort of trickle-down liberalism. If we work to strengthen unions, that will trickle down to you. If we work to strengthen health care, that will trickle down to you. If we work to make all schools better, that will trickle down to you. After decades of Democratic loyalty, too many black Americans are still awaiting that trickle…

Since first securing the right to vote, black Americans have had to be single-issue voters — and that single issue is basic citizenship rights. Maintaining these rights will always and forever transcend any other issue. And so black Americans can never jump ship to a party they understand as trying to erode the hard-fought rights black citizens have died to secure.

But it is also true that black Americans have not always been single-party voters, and they don’t have to remain so. If Democrats want to keep black voters, they need to work for those votes, because one day Republicans might wise up.

Writing in the New York Times Magazine, Nikole Hannah-Jones explores the rhetoric of Donald Trump’s appeals to black voters — noting that he’s “speaking more directly about the particular struggles of working-class black Americans and describing how the government should help them more than any presidential candidate in years” — and calls on the Democratic Party to stop taking black support for granted.

Read the story


from Longreads https://blog.longreads.com/2016/11/02/an-uncomfortable-truth/

Searching for the Missing Children of Soul Asylum’s ‘Runaway Train’ Video

In any case, he said, the video was “an opportunity to provide massive exposure to a huge segment of the population that may not routinely see missing child photos, and making whoever sees these photos think, I might be able to do something. I might have actually seen this person.” So Allen agreed to help Kaye and the band. But first, he extracted a promise from Kaye: If any child were recovered, his or her photo must be immediately removed from circulation and replaced with the photo of another missing child. What this meant, in practice, was that if things went according to plan, Kaye would have to repeatedly recut the video.

When the video debuted in May 1993, 13 children were featured. Sixteen-year-old Elizabeth Wiles was the first to come home.

At MEL Magazine, Elon Green looks back at the making of Soul Asylum’s hit video for “Runaway Train,” and the missing children who were featured.


from Longreads https://blog.longreads.com/2016/11/02/searching-for-the-missing-children-of-soul-asylums-runaway-train-video/

Tuesday, November 1, 2016

What Can and Can’t be Learned From a Book

Syam Palakurthy | Longreads | October 2016 | 13 minutes (3,188 words)

When I woke up on January 1st of 2012, I resolved not to drown. At 24 years old, I still lacked a crucial survival skill that most American children pick up before finishing elementary school.

It wasn’t for lack of opportunities. As a toddler my parents enrolled me in classes at a local YMCA; while I did develop an electromagnetic poolside grip, I did not successfully learn to swim. Later, I took a few lessons at a neighbor’s pool until those ended abruptly following rumors that another neighbor was threatening to alert the authorities to the unlicensed swimming business. In high school, during a harrowing water-treading test, my gym teacher hovered nervously over me as I flailed my gangly limbs to keep my face just above the water’s surface, and when I looked up I saw in his eyes my own terror reflected back. Knowing that he wouldn’t want to be responsible for a kid drowning in his gym class, I was certain he’d happily let me switch to the more terrestrial bowling/tennis/golf PE track that term. After high school I went to a college that had a somewhat absurd but rather practical requirement that in order to graduate, you had to be able to swim two pool lengths. I passed by back-floating across; no one seemed to mind that it took me nearly a half hour to “swim” a total of 50 yards.

Being in the water terrified me, evoking the kind of primal fear that our ancestors learned, generally, to heed. But I rarely told anyone; I was too embarrassed to admit I couldn’t swim. Attending an outdoorsy college with more riverside ropes to swing on and cliffs to jump off than I cared for meant that I often found myself in the water hoping and praying that I could thrash my way to some semblance of dry land before swallowing too much water–or before a fate worse than death to my idiotic college-addled brain: to have to be saved from drowning by a peer.

So on New Year’s Day that year, I promised myself one final chance to figure the damn thing out before resigning myself to a lifetime in fear of three quarters of the Earth’s surface.

My first autodidactic attempt ended abysmally. I plopped into the water of a nearby pool with a borrowed kickboard, ready to Rocky my way to a passable freestyle. As the momentum from the first push off the wall dissipated, my body slowed and my legs sank underneath me as if I were an astronaut unmoored in space. I kicked furiously, as hard as I could, which kept my legs from sinking but didn’t keep me moving forward. I slowed. I stopped. I went backwards (yes, it is possible to swim backwards). I gave up and, panting harder than a chainsmoker-post-marathon, lifted my torso out of the water to survey my progress: ten feet and no more, driven entirely by my initial push off the wall.

I needed a new game plan. After a google search for “learn to swim for sinkers”, I found a blog that turned me onto a book and accompanying video by Total Immersion swimming guru Terry Laughlin. In terms of production values, both the book and the video suggest the pre-digital roots for “One Weird Trick to Lose Fat and End World Hunger.” The book’s illustrations bring to mind the sedate but doomed passengers on inflight safety cards. The video is straight out of Public Access TV. At one point, Terry—whose physique evokes beer buddy more than athlete—is shown in an endless swimming pool, and when a pedestrian momentarily enters the camera view it becomes clear that this part of the video involved unauthorized gonzo filmmaking in a crowded midwestern indoor mall of the kind that happens to have an endless swimming pool inside. But although his presentation underwhelms, the man and his method are pure pedagogical genius. Take it from a life-long sinker: Terry showed me the light of a passable freestyle swimming stroke. (Despite lacking a corporeal presence in my life, he became a first-name-basis character in conversations with my girlfriend and a poolside Ben Kenobi that I turned to in times of aquatic distress.)

When the materials arrived in the mail, I immediately inhaled the first eight chapters of the book, all devoted to Terry’s pontifications on why traditional swimming lessons are broken (yes, there actually are eight chapters and over 100 pages critiquing traditional swimming pedagogy before he gets to the actual instructional component; he’s got a lot to say on the subject). Next I took in the first set of practice exercises, supported by live-action examples in the video, which involves lying face up with head unmoving while the rest of the body rotates. I practiced on the rug of our living room, which felt strange, especially when my girlfriend walked in and saw me rolling around on the floor. But for this to work, I needed to trust Terry and his technique. I quickly mastered the first exercise in the dry comfort of my apartment . Now I needed an inexpensive pool, in order to try it out.

Enter Garfield Pool in the southeastern edge of the Mission District of San Francisco. My girlfriend and I had recently moved ten blocks over to escape the ever-increasing rents of Valencia Street and the western side of the Mission. We were repelled not only by the outrageous rents but by the impact they had on the neighborhood as well. When the cost of living becomes prohibitive for single-income families, and the only way for businesses to remain viable is to sell ultra-expensive drip coffee and bacon-topped-sriracha-infused muffins, a neighborhood stops feeling like a neighborhood and starts feeling like a set from a TV show about young wealthy urbanites who spend very little time at work and a lot of time in the types of cafes that might sell ultra-expensive drip coffee and bacon-topped-sriracha-infused muffins.

I craved a place where regular humans planted themselves—not just a stopover between one trendy spot and the next, but a place where residents grounded themselves indefinitely. I naively hoped the southeastern Mission would become my own socioeconomically diverse and multicultural version of Andy Griffith’s Mayberry, a place where I got invited to backyard barbeques and bouncy-castle birthday parties, and neighbors took care of each other. I wanted to be a real member of the community, not a passerby. Fully aware of the irony, I wanted to get away from the transient kids who obsessed about artisanal foods and worked at tech startups, even though I myself was a transient kid with a love for small-batch chocolate and a job at a tech startup.

But in moving to the “realer” side of the neighborhood, I also desperately did not want to be a tourist in my own home. In his essay “Consider the Lobster,” David Foster Wallace wrote that to be a tourist “… is to impose yourself on places that in all non-economic ways would be better, realer, without you.” This negative connotation carries particular bite in the Mission District because the neighborhood has seemed to exist from its beginnings in a vacuum of permanent ongoing upheaval and displacement. It started when the colonizing Spaniards forced out the native Ohlone in the late 1700s. Following the 1849 Gold Rush and the Mexican-American war, the now-Mexican descendents of the Spanish were in turn pushed out by American settlers. In the wake of the Great 1906 San Francisco Earthquake, Irish, German, and Italian immigrants settled the area after losing their homes in other parts of the city. After World War II, those families fled to the suburbs as Latin American immigrants began streaming in, first from Mexico, then from other parts of Central and South America. Since then, a gay and lesbian community, African-American families, and an artsy punk movement have all grown and then diminished, all before a background of predominant Latino influence. Now, particularly for those Missionites and their descendents who arrived during the latter half of the the 20th century, a general sense prevails of a neighborhood rapidly losing its character under the onslaught of new wealth.

Garfield Pool was a neighborhood institution, but one that was welcoming in such a way that I didn’t feel like an interloper. The pool was a warm 85 degrees with enough chlorine to cure anything short of syphilis. The same regulars consistently showed up, especially at 6 a.m., the time I preferred, when I could avoid crowded lanes: a Latina grandmother teaching her young granddaughter to swim (I definitely begrudged the girl for swimming faster than me); a late-thirties Latino man shadow-boxing under water; an elderly Asian woman with the most intense and intimidating snorkeling mask I’ve ever encountered; construction workers who went there just to use the shower in the morning. No one looked like me, a scrawny 24-year-old Indian-American from the suburbs—I rarely even saw another swimmer close to my age.

Terry’s swimming technique begins with the premise that most of us learn to swim the wrong way, with our arms and legs rather than with our entire bodies, and that for some body types, that traditional approach precludes swimming at all. To counter that, his technique adopts a neonatal approach to swimming, starting on one’s back, arms glued to sides, propulsion generated by a corkscrewing motion of the torso and feet-kicking, as the swimmer’s face stays pointing up at the ceiling, mouth and nose just above the surface of the water. I spent hours that way, often moving so slowly I couldn’t tell if my body had frozen mid-lap. Watching the ceiling at Garfield might have been the pool-equivalent of staring at clouds on a lazy Sunday afternoon, except instead of pleasant daydreams, my wandering mind drifted to questions such as: will the Superfund site-levels of chlorination mottle my skin in tie-dye colors before they find me at the bottom of the pool? Between thoughts about the ways I could die in the water, I got to know every crevice and imperfection of that ceiling, the white and aqua-green perpendicular beams that evoke the bland beauty of old factories and public works projects, the colored flags that graciously inform swimmers that they are approaching the pool’s edge. Not since childhood had I observed a ceiling with that level of scrutiny. In those hours on my back, its image was seared into my brain with the kind of fidelity that if my life were an M. Knight Shyamalan creation, the memory-photograph of the Garfield Pool ceiling would at the end somehow translate into a perfect map that allowed me to unexpectedly but conveniently save the world.

My trips to and from Garfield afforded me a chance to see the neighborhood in a new light—literally in some cases. In the early morning darkness on my way to Garfield, the ordinarily busy streets of the neighborhood lay quiet. The businesses on bustling 24th Street still had their gates shut; nearly all the homeless remained asleep next to and on top of their stuff; and I only crossed paths with those few yawning morning shadows who happened to have long commutes or jobs that started before the sun rose. I’d disappear into the time warp of my lap sessions in Garfield, and, on exiting the pool, experience the photo negative of my earlier walk. Light streamed onto cars starting to fill the streets, and backpacked children starting to fill the sidewalks. At first I viewed the walks to and from the pool as prosaic and unchanging from one day to the next. But as my trips accumulated, the nuances surfaced. On Tuesdays and Thursdays the traffic flows changed as neighborhood cars played musical chairs to avoid street cleaning tickets. A Volkswagen van, spray-painted with traditional Hindu scenes across its sides, popped up in different places along my walk, a hippie Where’s Waldo for me to try to locate. (Beyond its shifting position, I never once saw proof the old van actually functioned as a mode of transport.) I found inexplicable delight if I happened to pass by at the moment the two grocery stores across the street from each other simultaneously opened, their proprietors turning loud cranks to lift their security gates, each wordlessly indicating that they would never cede their prime grocery real estate to the other.

On another walk to Garfield Pool, I witnessed something far worse. At that point, my swimming, while still terrible by any standard, was decent enough to manage swimming during the busier afternoon lap-swimming hours without irritating every other swimmer in my lane. As I crossed the last street before the pool doors one late afternoon, I heard four loud pops in succession (gunshots? no, probably fireworks) causing me to whip around.

Fireworks in the Mission are hardly unusual. Stop by after a Giants World Series victory and you’ll have to make sure you don’t accidentally drive over a roman candle lit in the middle of the road. But it seemed odd to hear them with the sun still up. I watched two teenage-looking boys with bandanas over their faces run out of a house fifty feet behind me and down a side street. My mind immediately went to the most dramatic possibilities, but I chided myself for resorting to the obnoxious stereotypes of violence that so many non-Missionites held about the neighborhood. I told myself it must have been a teenage prank on a friend and kept walking toward the pool.

When I emerged from Garfield after my swim, police sirens drowned out the usual evening sounds. I asked a policeman what had happened, though I already knew: a shooting. I told him what I’d seen earlier in the evening. He took my number. I never heard back.

For days afterwards, my girlfriend and I checked local crime blogs for more information. We found out a few days later: despite being only a few blocks away from San Francisco General Hospital, one of the two victims, a 19-year-old kid, had died shortly after reaching the ER. If I had followed my first instinct, could I have done something? Could I have seen where the shooters went, or called an ambulance, which may have gotten to the scene more quickly? Had I acted like the naive bystanders who do nothing as awful events transpire in front of them? These questions bounced around in my head, but I didn’t want to broadcast what had happened—not to the brother who lived a ten-minute walk away, not to my parents, and not to my friends in the city. I told myself this was a one-off, the kind of terrible event that could happen in literally any place in the world. Defensively, I didn’t want to validate the fears of the San Franciscans who already had strong and negative impressions of the “other” side of the Mission, where I lived.

I continued to pass the house where the shooting took place every day on my walk to Garfield. A shrine popped up in the doorway. Small at first—just a few lonely flowers—it grew as the days passed. Pictures, letters, flowers refreshed regularly by family and friends. The victim went from being just a blurb in an unread crime blog to a human defined by a thousand other memories, the neighborhood reclaiming one of its own.

The same sense of community also emerged in more mundane ways. Before getting back home from the pool, I often stopped by the corner deli next door to grab a snack and say hello. I’d commiserate with one of the clerks, Jesus, about the joys and perils of owning a motorcycle in the city, and we’d also talk about his family in Guatemala. One morning I got a knock on our door from Omar, a co-owner, as he stalled a parking officer threatening me with a parking ticket for violating street cleaning hours. Being spared a parking ticket from the Galactic Empire that is the San Francisco Municipal Transportation Authority because of the thoughtfulness of a Middle Eastern co-owner of a small corner store in a historically Latino neighborhood led me to believe I’d actually found the diverse Mayberry I sought.

When I hit my New Year’s continuous-laps goal, I started to think of myself as a good swimmer. My daily routine began to trail off, but when I went I found a pensive joy in mindlessly watching the tiles at the bottom of Garfield Pool pass by. I had reached a Zen fluidity, no longer fighting the pool as I once had.

Or so I thought. I asked my girlfriend to video record me as I swam a couple of laps, partially so that I could observe my mistakes and work out small tweaks, but mostly to capture my exquisite form. But watching myself swim dashed that idea. It also wrecked my self-image as a swimmer. My legs dragged behind and under me while my torso and head tilted up to the water, as if my body were dithering over whether to swim or walk. When I turned my head up to breathe, my body over-rotated to the point that my stomach almost faced the ceiling. As my hands reentered the water at the top of a stroke, they plunged down rather than forward.

After witnessing the messy reality of my swimming, I faced a choice: double-down and commit to improving through (much) more work, or tally my completed resolution and return to all the other activities I’d put on hold in the process. I could commit or I could move on. I chose the latter.

By the time I felt I could stave off drowning, I also began to feel like a local. I had succumbed to the delusion that tricks so many tourists: that if I tried hard enough to blend in, the locals would stop noticing the tourist among them. They didn’t stop noticing, because they had a preternatural understanding that I lacked about my own role in the neighborhood. They knew, before I did, that we would move sooner rather than later, that the move would have no serious negative financial or emotional consequences for us, and that living in this neighborhood would just be a “phase” in our lives.

Eventually we did move, for my girlfriend to pursue a graduate school opportunity. Before we left I held out hope that we would return, maybe to the same apartment and definitely to the same neighborhood, with all the neighbors we’d come to know there to greet us on our homecoming. Days before we finally loaded up our U-Haul to leave, I met the tenant who would replace us, a friendly Big Tech Company employee who would pay 50% more than we paid each month; whoever eventually replaced him since probably pays another 50% more. Despite my wishes at the time, we will never move back to that neighborhood, for the simple reason that we can’t afford to. In the final karmic irony of our five-year vacation in the Mission, the gentrifiers were gentrified out.

* * *

Syam Palakurthy runs a small business helping people with chronic diseases.

Editor: Sari Botton


from Longreads https://blog.longreads.com/2016/11/01/what-can-and-cant-be-learned-from-a-book/

Monday, October 31, 2016

Ferrante in Fragments of Her Choosing

At The New Republic, novelist Alexander Chee has an essay/review of Frantumaglia: A Writer’s Journey, Ferrante’s new book of selected letters and interviews spanning nearly two-and-a-half decades. In the piece, Chee considers the way the press feels compelled to draw parallels between fiction and its authors’ lives; the way it treats women authors in particular; and the importance of anonymity for Ferrante, whose cover was allegedly blown in a recent The New York Review of Books article.

Many of these recent interviews are a pleasure to read—Ferrante’s professorial side is less didactic, more relaxed. But when asked, “Will you tell us who you are?” she answers: “Elena Ferrante. I’ve published six novels in 20 years. Isn’t that sufficient?” At this point, I have to agree. Why aren’t the novels enough?

But for all of her explanations on the topic of her withdrawal, the press appears, in these pages, determined to misunderstand her. If she seems repetitive at times, she is—but only because the questions are. Soon, she begins to sound like someone pleading for her life. At one point, she vows to stop publishing if she is exposed. And when she is asked to consider the legacy of her absence, she points a finger home:

“Those who became aware of the books later … as a result of the media attention, at least here in Italy, encounter them with an initial distrust, if not hostility, as if my absence were an offensive or culpable type of behavior…. The only thing I can do is continue my small battle to put the work at the center.”

Read the story


from Longreads https://blog.longreads.com/2016/10/31/ferrante-in-fragments-of-her-choosing/

Sunday, October 30, 2016

Creepypasta, Shirley Jackson, and Horror Podcasts: A Halloween Reading Guide

Happy Halloween! It’s the season of costume parties, trick-or-treating, pumpkin-carving, and scary stories. The spookiness doesn’t have to end with the weekend—indulge in classic creepypasta, scary podcasts, and Ms. (Shirley) Jackson on your lunch break.

1. “The Definitive Guide to Creepypasta–The Internet’s Scariest Urban Legends.” (Aja Romano, The Kernel, October 2012)

For the past two weeks, I’ve been in a reading funk. I start a book; I put it down; repeat. Instead of novels, I’ve turned to Reddit (for virtually the first time in my life), reading creepypasta and other weird stories into the wee hours. Bonus round: Every year, Jezebel collects terrifying stories from their readers—usually of the paranormal-it-happened-to-me variety–and this year’s is up! I think “Armoire” is the scariest.

2. “A User’s Guide to Shirley Jackson.” (Anna Fitzpatrick, Hazlitt, September 2016)

Late one night, I asked Twitter for advice about my aforementioned reading rut, and one wise internet denizen recommended The Haunting of Hill House by Shirley Jackson—”a spooky, pretty short, easy read,” she said. I found a PDF and settled in. Three hours later, I was simultaneously freaked out and in awe of Jackson. Use Anna Fitzpatrick’s reader’s guide to choose which tale will jolt you from your own rut, or start with “The Man in the Woods,” courtesy of The New Yorker.

3. “Readers Report: Haunted.” (Susan Clements, The Rumpus, October 2014)

Eighteen writers take on what it means to be haunted in these super-short stories and poems.

4. “Antique Nightmares.”(Jason Boog, LARB, October 2015)

Podcasts like NoSleep, Lore, Just A Story, Tanis and many more are bringing old-school radio horror to our modern airwaves. Jason Boog writes about these contemporary storytellers and their 20th century precursors. (If true crime is scarier to you than the paranormal, I’m obsessed with My Favorite Murder.)


from Longreads https://blog.longreads.com/2016/10/30/creepypasta-shirley-jackson-and-horror-podcasts-a-halloween-reading-guide/

Friday, October 28, 2016

The Top 5 Longreads of the Week

Below, our favorite stories of the week.

Sign up to receive this list free every Friday in your inbox.

* * *

1. The Writer Who Was Too Strong To Live

Dave McKenna | Deadspin | Oct. 28, 2016 | 37 minutes (9,445 words)

A heartbreaking story on alcoholism and a superstar sports journalist. Jennifer Frey soon disappeared from the business, and died earlier this year.

2. I Went Undercover With a Border Militia. Here’s What I Saw.

Shane Bauer | Mother Jones | Oct. 25, 2016 | 58 minutes (14,654 words)

Bauer goes on a border operation with a paramilitary group to get a firsthand look at the growing militia movement in the U.S.

3. The Other Sister

Ciara O'Rourke | Seattle Met | Oct. 27, 2016 | 16 minutes (4,127 words)

A moving personal essay by Ciara O'Rourke about preparing for a future in which she is the primary caregiver for her sister, who is living with autism.

4. Eight Women in Love

Shawn Wen | n+1 | Oct. 17, 2016 | 11 minutes (2,834 words)

“When she met him, she was holding a bowl of tabbouleh. He wasn’t famous at the time. Just a promising upstart in the Ba’ath party. And she liked everything about him from the start. His blue silk suit. His golden eyes.” The women left in the wake of eight of modern history’s worst despots.

5. Why Pop Culture Just Can’t Deal With Black Male Sexuality

Wesley Morris | New York Times | Oct. 27, 2016 | 24 minutes (6,244 words)

Wesley Morris takes on American culture’s deep, all-abiding fear of the black penis and “America’s dubious assumptions about the sexual prowess of black men.”


from Longreads https://blog.longreads.com/2016/10/28/the-top-5-longreads-of-the-week-142/

Hellish Days in the City of Angels: Michelle Tea on the L.A. Places She Hit Rock Bottom

At Buzzfeed, sober writer Michelle Tea takes readers on a tour of some L.A. establishments where she partied hard in 2001, the year she says she was hitting rock bottom with her addictions. Of The Frolick Room in Hollywood, she recalls:

This teeny-tiny bar situated on the walk of fame was the last place Elizabeth Short, the Black Dahlia, was seen alive. But as much as a death wish as I appeared to have, the bar’s real draw was its status as one of Charles Bukowski’s primo haunts. Like all alcoholics who write, I adored Chinaski because he made my drinking seem literary, the activity of a working class hero, dirty and rebellious — which meant, since I was a girl, also feminist. I loved the redness of the bar, a vague redness, as well as how fucking awful the Hollywood mural on the wall was, and I loved the carnival promise of the neon sign outside and the weird, large, round, flat lamps on the inside. The Frolic Room was where I went when the 101 on-ramp had become tiresome and I needed a drink. Seated alone on a barstool I ordered a vodka whatever and sullenly nursed my drink. Eventually the phone rang, and the bartender answered it; turning to me, she said, “Someone is looking for a girl with blue hair. Are you her?” My boyfriend came to fetch me from The Frolic Room, took me to the taco truck down by the gay center for some food to help sober me up, then back to Tamarind, where I ate them with aggressive resentment, spilling cheese down my shirt.

Read the story


from Longreads https://blog.longreads.com/2016/10/28/hellish-days-in-the-city-of-angels-michelle-tea-on-the-l-a-places-she-hit-rock-bottom/